Randell Cottage Writers Trust

Michalia Arathimos

Melbourne-based but Wellington-born, writer, reviewer and editor Michalia Arathimos will be returning to her home city next year as the 2020 Creative New Zealand Randell Cottage Writing Fellow. Arathimos will be using her time at the Randell Cottage to work on her second novel, Cartographia, which she describes as an exploration of place, migration and identity, through the eyes of a woman of Greek descent.

Arathimos has published work in many places, including The Lifted Brow, Overland Magazine, Landfall, Sport and Headland. She was twice short-listed for Australia’s Overland VU Short Story Prize and won 2016’s New Zealand Sunday Times Short Story Prize. Her first novel Aukati was published in 2017 by Wellington’s Mākaro Press. Arathimos holds a PhD in Creative Writing from Victoria University’s IIML and is currently fiction reviewer for the Melbourne-based Overland Magazine.

Selection panel convener Stephen Stratford says “It was a mast year for applications for this valuable fellowship – in quality and quantity – but Michalia’s application stood out and was the panel’s unanimous choice. Her writing sample sang and the residential aspect of the fellowship will clearly be of benefit to a project which draws from Michalia’s own experience growing up in Wellington’s Greek community.”

Arathimos says she is delighted to be the 2020 resident and is looking forward to her six months in the capital.

“Wellington, with its hills and fault lines and glittering sea, is like a perfect espresso cup of culture and energy. It’s also home to a lot of quiet minorities, like the Greek community I come from, who carry stories that might be less well known than others. I can’t wait to return.”

2019 New Zealand writer in residence Paddy Richardson has been using her time in the capital to visit Matiu Somes Island, the major setting of her novel in progress, The Green of the Spring.

She’s made several day trips but in November, along with her husband Jim Mackay, stayed for three nights, and says the Randell Cottage residency, “has been invaluable in the opportunities for research and visiting the island.”

Paddy’s writing achieves an extraordinary sense of time and place. Her book Swimming in the Dark transports the reader to Central Otago, with resonances from post-war Germany under the Stasi. Cross Fingers is a crime story that takes us inside the world of the 1981 Springbok Tour protesters. And her latest novel Through the Lonesome Dark set in the West Coast town of Blackball, brings small-town relationships to vivid life, just as it recreates the horrors of trench warfare and the fears of miners drilling under Arras in WW1 France.

Now we wait to – through Paddy’s imagination and research – the harsh internment camp established in the same era on Somes Island in the isolation of Wellington Harbour, through the eyes of Otto Bader, a young mining activist of German heritage. The new book is close to being finished and should be published in 2020.

Paddy says the water was rough and cold for the journey across to Somes. She was especially struck by the wind: “It was incredibly powerful – and the sound of it. It reminded me that there was a rule that the men were not able to remain inside their barracks during the day – imagine being constantly out in those conditions. The prisoners built their own shelter huts as a result. And the men had to carry their water up from the jetty every day – gallons of it – buckets carried on a yoke across their shoulders. Imagine battling against the wind carrying that kind of burden.”

On returning to her base at Randell Cottage, only a short distance from the harbourside, Paddy reflected on the nearness of Somes to Wellington: “It must have been a constant torment, the city was close and yet they were so isolated.”

Paddy has shared a tantalising extract from The Green of the Spring in which Otto makes his own journey to the island:

When we had come up on deck, I’d been able to see Somes in the distance as a rising shape near to the horizon but now we were approaching it I could make out a long shore with craggy, low rocks to one side and a high rounded rise at the centre. It appeared smaller than I had envisaged, though I imagined it would spread further on the other side of the island that we could not see. Apart from a small group of figures I could make out on the wharf, there seemed no sign of life. I’d heard there were over a hundred men incarcerated there, as well as the overseeing military. I wondered how all who lived there could be accommodated in such a small place. The pleasure I had initially taken in the enclosure of sea, harbour and hills changed to a mild sense of panic. A hundred or so men sealed off on a small island? How would we pass our time?

Paddy enjoys the freedom of a swim off Somes Island.

Applications are now open for the 2020 Creative New Zealand Randell Cottage Writers Fellowship. The fellowship comprises a stipend, currently set at $22,000, and six months’ rent-free accommodation in one of Wellington’s oldest colonial buildings.

The Trust is particularly interested in hearing from mid-career and Māori and Pasifika writers.

Built in Thorndon in 1867, the Cottage has been painstakingly restored and is close to the National Library, the Turnbull Library, and National Archive. It’s provided a peaceful inner-city base for writers from a range of genres: novelists, poets, biographers…

The first New Zealand resident was Peter Wells, in 2002. He’s been followed by Tim Corballis, Michael Harlow, Renée, Beryl Fletcher, Whiti Hereaka, Jennifer Compton, Kirsty Gunn, Pat White, Peter Walker, Vivienne Plumb, Denis Welch, Tina Makereti, Witi Ihimaera, Owen Marshall, Stephanie Johnson, Stephen Daisley, James Norcliffe and Paddy Richardson.

The Randell Cottage Creative NZ Writer in Residence is selected by a Trust-appointed committee to work on an approved project from July to December each year. The deadline for applications is Friday, 1 November 2019. The successful applicant will be announced in December.

Note: The 2020 fellowship is advertised subject to confirmation of funding from CNZ’s Arts Grants programme. Those decisions are expected in early to mid-November

The evening of 27 March may well have been a dark and stormy night but the atmosphere inside the National was warm and welcoming, as current resident Karin Serres gave her audience an insight into her creative process, her information gathering (and magpie tendencies) and her journey from theatre to literature.

Karin’s next event in Wellington will be at the Alliance Française on 9 May. Details to follow.

Karin Serres at the National Library, 27 March 2019.

Karin Serres at the National Library, 27 March 2019.

A Writer’s Notebook.

Notes and images towards a flash fiction on dive bombing n Wellington Harbour.

Photos: Tim Gruar for the Randell Cottage Writers Trust.

A scenographer by training, the Randell Cottage’s 2019 French resident is Karin Serres whose work traverses many genres – novels, picture books, plays, for stage and radio, and translation.

Join us for an evening of conversation, readings and reflection on the new perspectives that come from writing away from home on Wednesday 27 March at the National Library.

Wednesday, 27 March
5:30pm – 7:30pm
Programme Rooms, Ground Floor
National Library, corner Molesworth and Aitken Streets
Thorndon
RSVP: info@randellcottage.co.nz

The evening is a joint project of the Friends of the Randell Cottage, The Randell Cottage Writers Trust and the National Library, with the support of the Embassy of France in New Zealand.

Peter Wells
Photo by Liz Marsh

We were deeply saddened this week by the death of Peter Wells, the first writer to live and work in the Randell Cottage as the CNZ fellow. Peter was a filmmaker, a novelist, a biographer, an historian. He was instrumental in the establishment of two literary festivals. He wrote, and lived, with extraordinary elegance, grace, and humanity. His most recent work, “Hello Darkness”, released just last week, is his diary as a Stage IV cancer patient, first published on his Facebook page and then as a series of essays on The Spinoff.

The many moving tributes to Peter as an artist and a friend, such as these from Jeremy Hansen and David Herkt give a sense of his contribution to New Zealand film and letters, and to the lives of LGBTQI New Zealanders.