Current resident writer
Estelle Nollet was born in 1978 in the Central African Republic and moved to France a few years later. Following her studies as a graphic artist in Paris, she worked in advertising in France and elsewhere, before taking up a second career as a diver and working as an instructor in a number of countries (Australia, the US, New Zealand, Mexico…). She says diving into the world of silence is like discovering a book in movement where there’s a new story happening mutely every second.
Estelle has published two novels, both with major publishing house Albin Michel. Her first, On ne boit pas les rats kangourous (2009) (You don’t drink kangaroo rats), is set in Australia, where she has travelled. It has been compared to the work of Cormac MacCarthy, and was awarded several prizes for emerging novelists.
The second novel, Le bon, la brute, etc (2011) (The good man, the brute, etc) took ou the Prix Gironde (for ‘new writing’) and is described as an international road-movie novel.
Estelle Nollet plans to write at the cottage for four months, from January to early May 2013.
Author, poet and playwright Vivienne Plumb was born in Australia and lived in Wellington for over thirty years before heading north in 2008. She has published four collections of poetry, two chapbooks of poetry, a novella, a novel and several playscripts, and her most recent book is poetry chapbook The Cheese and Onion Sandwich and Other New Zealand Icons (Seraph Press, 2011). Plumb’s awards include the 1993 Bruce Mason Playwriting Award for Love Knots (1994) and the Hubert Church Award for a first book of fiction for The Wife Who Spoke Japanese in her Sleep (1993). Her current project is a novel with political themes set in Wellington, which is one reason why she applied for the Randell residency.
Vivienne Plumb says, ‘I am absolutely thrilled to be returning to Wellington in July 2012 to take up the Randell Cottage writing residency. Being able to stay in the cottage and write for six months on a stipend will be fantastic, plus it is an excellent opportunity to be able to gather any research I need for the novel.’
Florence Cadier was born in 1956 and is a journalist by profession. In 1995, inspired by her two children Bastien and Valentine, she began to write children’s stories and young adult novels. Many of her books have been translated including Qui est Laurette? (Who is Laurette?), Les miens aussi (Mine too), Ils divorcent (They are getting divorced), 24 histories pour attendre Noël (24 stories for the lead-up to Christmas) and Dessine avec Mila (Drawing with Mila). She was awarded a number of prizes, including the town of Poitiers’ historic novel award and the Literary Al Terre Ado prize, for Le rêve de Sam (Sam’s Dream). Her most recent novel is L’été des amours (Summer of loves), published in March 2011 by Oslo.
Florence has already taken part in several writers’ residencies both in France and abroad: In the Val de Nièvre, Tunisia and Bulgaria, and this year she studied screenplay adaptation in Paris. Florence is also an anthologist and a publisher, and holds writing workshops for children: “I find this work very invigorating. The young people really give it their all and their writing is of a high standard.” Apart from writing while she is at Randell Cottage, Florence will also lecture, attend conferences and take writing workshops at Alliances Françaises, universities and schools. Finally, in conjunction with the Tjibaou Centre in Noumea, Florence Cadier will tour New Caledonia.
Peter Walker works as a journalist in London, and is the author of the historical memoir The Fox Boy (Bloomsbury 2001) set in Taranaki, and a novel, The Courier’s Tale (Bloomsbury 2010), set in the court of King Henry VIII.
Peter began work on The Dominion newspaper in 1976 before leaving Wellington to work in Australia, then moved to the UK in 1986 to work for newspapers including The Independent and Independent on Sunday, where he was Foreign Editor. He has also written for the Financial Times and Granta.
Yann Apperry is a bilingual French-American who writes in both languages and translates his own texts with elegance and finesse. He is an accomplished novelist, playwright, poet and librettist. In France, he is considered one of the most talented writers of the young generation. Born in 1972, Yann published his first novel Qui Vive at the age of 25 and was immediately acclaimed by critics and awarded the “Prix Bretagne.
During the same year, he was laureate of Fondation Hachette and writer in residence at Villa Médicis in Rome (1997-98), which is one of the most prestigious residencies for French artists abroad. He then spent a few months at Villa Kujojama, in Kyoto, in 2004.
In 2000, he was awarded the “Prix Médicis” for Diabolus in Musica and the “Prix Goncourt des Lycéens” in 2003 for Farrago – two major French literary prizes. Yann Apperry’s project during his stay at Randell Cottage involves music and poetry.
Patrick Valdimar White is a poet, essayist and artist whose work reflects his passion for the natural environment and an exploration of the way individuals relate to the land. His poetry collections are: Signposts (1977), Bushfall (1978), Cut Across the Grain (1980), Acts of Resistance (1985), Dark Backward (1994), Drought and Other Intimacies (1999), and Planting the Olives (2004). He has also published In Gallipoli: In search of a family story (Red Roofs, 2005).
Pat White lives in the rural Wairarapa near Wellington. In 2009, he completed an MA in Creative Writing at the International Institute of Modern Letters with a folio of essays entitled How the Land Lies. He was writer in residence at the Robert Lord Cottage in Dunedin 2009/10. White will use the Randell Cottage residency to research and write a biography of West Coast writer, teacher and fellow environmentalist Peter Hooper (1919 – 1991). He says living in Thorndon will facilitate his research at the Turnbull Library and allow him easy access to papers in private hands.
Fariba Hachtroudi is a French writer and Iranian exile born in Tehran in 1951, and the daughter of the eminent mathematician and champion of democracy Moschen Hachtroudi. She studied art and archaeology in France, moving there when she was a teenager. Despite the distance from her homeland, the Islamic revolution in Iran left her feeling bewildered. In 1981, she decided to move to Sri Lanka where she taught at Colombo University.
When Hachtroudi returned to France in 1983, she denounced Khomeini’s regime in newspaper articles. This earned her a fatwa which called for her death. In 1985, she illegally entered Iran, a journey she described in L’Exilée (published by Payot in 1985), and she became reconciled with her homeland. She found a country at war, struggling with intolerance and obscurantism. Fariba Hachtroudi wrote several novels, essays and articles “to exorcise this reality”. She led the humanitarian association MoHa, and was active within the National Council of Resistance of Iran.
Since 1990, Hachtroudi has been working with the photographer Laurent Péters; they jointly won the Sicilian Cultural Report prize in 2002. Fariba Hachtroudi works around the world as a writer, a journalist, and a lecturer. Among her recent works are Le douxième imam est une femme (published by Nouveaux Loisirs, 2009); Khomeyni express (Xenia, 2009); A mon retour d’Iran (Seuil, 2008); J’ai épousé Johnny à Notre-Dame de Sion (Seuil, 2006).
Kirsty Gunn was brought up in Wellington and educated at Victoria University (BA Hons) and Oxford University (M.Phil). She is currently the Professor of Creative Writing at the University of Dundee and lives in Scotland and England. Gunn is best known in this country for her novel Rain (Faber 1994) which was made into a film, and for her short stories which have been published internationally including in the collection This Place You Return to is Home (Granta,1999).
Gunn’s other novels are The Keepsake (Granta, 1997), Featherstone (Faber, 2001) and The Boy and the Sea (Faber, 2006) which was named Scottish Book of the Year 2007. Her latest book, 44 Things (Atlantic Books) was published in 2007 and is a collection of writings on Gunn’s domestic and creative life. Gunn has a wide profile in the UK as a writer and reviewer. She is married to David Graham who is the Managing Director of Granta and they have two daughters. She has won the Scottish Arts Council Award and the London Arts Board Award for Writers.
Gunn’s proposed project will combine a number of genres – short story, essay, memoir and history – and look at the subject of Katherine Mansfield.
Olivier Bleys was born in Lyon in 1970. He holds masters’ degrees in modern literature, computer graphics and cultural project management. Author of historical novels as well as essays and travel stories, Olivier won the young novelist’s prize for The Island at the age of twenty-two. Three years later his second book, The Prince of the Fork, received a national prize. His third novel, Pastel, was translated into several foreign languages and rewarded by the French Academy.
His most recent novel is The Ghost in the Eiffel Tower (2004). Olivier’s novels have been translated into eight languages.
Olivier Bleys is currently researching and writing his first contemporary novel which will be set in the South Island of New Zealand. It involves an astronomer, a meteorite and an art exhibition.
Jennifer Compton was born in Wellington, New Zealand in 1949 and had two poems published in the NZ Listener when she was 15. In 1972 she travelled to Sydney, Australia with her husband Matthew O’Sullivan and attended the Playwrights’ Studio at NIDA. The play she wrote for this course, Crossfire, jointly won the Newcastle Playwriting Competition in 1974 and premiered at the Nimrod Theatre in Sydney and was published by Currency Press. The play was presented by Downstage Theatre in Wellington in the late 70s.
Before her two children were born, in 1983 and 1984, she flew backwards and forwards across the Tasman and worked in both countries. For instance, her radio plays (A Wigwam For A Goose’s Bridle, Morning Glories, Several Local Dandelions) were produced by the ABC and RNZ. And she won the Bank of NZ Katherine Mansfield Award in 1977 for her story The Man Who Died Twice.
Then she moved with her family to Wingello, a small town on the Southern Highlands of NSW, and concentrated on writing poetry and short prose.
In 1995, her poem Blue Leaves won the Robert Harris Poetry Prize and she was awarded the NSW Ministry For The Arts Fellowship, the first time this had been awarded for poetry. During her Fellowship year she wrote a book of poetry, Blue, which was short listed for the NSW Premier’s Prize, and a stage play, The Big Picture, which premiered at the Griffin Theatre in Sydney and was published by Currency Press. It was performed by Circa Theatre in Wellington in the late 1990’s.
She has been a guest at many Festivals in Australia, including the Sydney Writers’ Festival, the Spring Writing Festival, the Australian Poetry Festival, the Shoalhaven Poetry Festival and the Overload Poetry Festival. In 2005 she was a guest at the International Festival Of Poetry in Genoa and in 2006 was a guest at the Sarajevo Poetry Festival.
Her book of poetry, Parker & Quink, was published by Ginninderra Press in 2005 and her next book of poetry, Barefoot, is ready to go. A book of reflections about travel and place – The Wrong Side Of The Road – is nearly complete. In 2006 she was resident in the Whiting Library Studio in Rome from February to July. And in 2007 she spent a month as a Creative Writing Fellow at the Liguria Study Centre in Bogliasco.
In 2008 she is happily ensconced at the Randell Cottage working on her novel which is set in the Wairarapa and is called All The Time In The World.
Nicolas Kurtovitch was born in Noumea in 1955. His mother’s side of the family first settled in New Caledonia in 1843. He also has Yugoslavian origins, through his father, who left Sarajevo in 1945. After completing his schooling in New Caledonia, Nicolas travelled to New Zealand and Australia, eager to experience and absorb the diversity of the South Pacific. He then completed further study in France (Aix-en-Provence, 1977-1980), obtaining a degree in Geography before returning to New Caledonia where he took up a teaching position at Lifou.
He later went on to teach at Do Kamo College in Noumea, a protestant school that works hard to create opportunities for young Melanesians. Nicolas is now the principal of this school.
In addition to his own works, Nicolas contributes to the development of New Caledonian literature by writing for various literary reviews and via his role as President of the Association of New Caledonian Writers. He took part in the Waka Conference on Pacific identities which was held in Wellington in August 2000, and is also a member of the Société des Gens de Lettre de France. In 2002, Nicolas was awarded the Prix du Salon du Livre Insulaire de Ouessant (poetry section) for Le Piéton du Dharma.
Nicolas Kurtovitch is one of the most famous figures of New Caledonia’s contemporary literary landscape. His writing has often been described as hybrid, the intersecting of two cultures, in the same way that Maori and Pakeha meet in New Zealand literature.
In his time in Wellington, Kurtovitch devoted his time to writing, he met with university and Alliance Française students in Wellington, Auckland and Christchurch for conferences and public readings.
Whiti Hereaka is a founding member of Writers Block. Since 2001, Writers Block has been encouraging new writers in theatre particularly those from Maori and Pacific Island descent. In 2002, Hereaka was accepted into the International Institute of Modern Letters, studying toward an MA in Creative writing (Scriptwriting) under the guidance of Ken Duncum. Her thesis, a play called Both Speak I; achieved an MA with Merit. Hereaka’s play Fallow, written as a part of Writers Block, was developed during a workshop in 2002.
Taki Rua productions provided the workshop and dramaturgic support. Hereaka worked with Catherine Fitzgerald, their relationship strengthened by Catherine’s continued dramaturgy during Hereaka’s Young and Hungry commission.
In 2003, the Young and Hungry Trust commissioned Hereaka to write a script for their 2005 season. Collective Agreement was developed over 2004 and was produced in 2005.
Also produced in 2005, Fallow by Tawata productions. After a short, but well received season, Hereaka would like to develop the script further and hopes another run will be produced in the near future.
Hereaka has also written for radio. She has written two episodes of Radio New Zealand’s series Hui Hopping. The Best Bet aired in 2004; and At the Movies aired in 2006.
Her first short film script, Unclaimed Luggage, won the Best Short Film Screenplay award in the E Tuhi! Get Writing awards 2005. It will be produced by Kiwa productions.
Annie Saumont has been writing short stories for twenty years and with 200 to her name, she is considered as a reference for short story writers. She has received a number of prizes including the coveted Prix Goncourt and the Grand Prix de l’Académie Française (for her entire body of work).
Her short stories find their origins in simple facts, combined to create an everyday universe for her very human characters where cause and effect are played out. Her characters are often damaged, unassuming, frail anti-heroes deprived of a future after committing inadmissible errors.
Greatly appreciated by a wide-range of readers, particularly (but not only) teenagers, with whom she instills a desire to read, Annie Saumont is also a well-known personality in the education sector, where she often gives talks about her work and her creative process. Two books are even aimed more at schools than the general public.
She is also a specialist in English-language literature and a translator, having translated works by John Fowles, VS Naipaul and JD Salinger to name but a few.
The Resource Centre at the Alliance Française in Wellington carries a selection of her work.
As it is for many women writers, writing fiction was a life-long goal which was realised later rather than sooner. Her novels take as their theme the re-writing of established power structures, particularly those of the patriarchy. Born into what she describes as “a socialist working class family” in Auckland, Fletcher graduated in 1979 from Waikato University with a Masters Degree in Sociology.
Living in New Zealand, Australia, England and the USA, she worked in a range of roles, including as a mother, a school dental nurse, and a University lecturer. Her writing career began with a bang when her first novel The Word Burners (1991) won the Commonwealth Writers Prize for Best First Book in the Asia / Pacific region. It was selected as one of the top twenty in the 1991 Listener Women’s Book Festival. Shortly after the publication of her second novel, The Iron Mouth (1994), Fletcher was chosen to represent New Zealand at the prestigious International Writing Program at the University of Iowa, USA. She now holds the title of Honorary Fellow in Writing at the University. Her third novel, The Silicon Tongue (1996) has been translated into Korean. Her fourth novel, The Bloodwood Clan (1999) is set inside an Amish-like cult called The Diggers, who live a 19th Century lifestyle in contemporary rural Australia. Both of these books have been translated into German and are published by Random House in Germany.
While primarily a novelist, Fletcher has published a number of short stories in anthologies including New Australian Writing (1973); New Women’s Fiction 3 (1989); Subversive Acts (1991); and Me and Marilyn Monroe (1993).
In 1999, as Writer in Residence at Waikato University, Fletcher began work on her first non-fiction book, a memoir written in narrative form. Published in 2003, The House at Karamu is a funny and touching memoir in which Fletcher recalls her wartime childhood, her discovery of opera, feminism and more. It tells the story of one life, yet will be familiar to many.
In 2005, Fletcher was chosen to attend Ledig House International Writers’ Residency in upstate New York. Established in 1992, Ledig house has hosted hundreds of writers and translators from over 50 countries. In 2006, Fletcher was awarded the Randell Cottage Writers Residency in Wellington. She is currently writing a collection of short stories and a novella.
Dominique Mainard (1967-) is a novelist, short story writer and translator and has developed her passion for New Zealand literature through the works of Janet Frame, whose writing she has translated since 1994 (Owls do Cry, Joëlle Losfeld). After publishing three short story anthologies, including Le Second Enfant, for which she received the Prix Prométhée de la nouvelle in 1994 (La Différence), and Le Grenadier (Gallimard, 1997), Mainard published her first novel in 2001, Le Grand Fakir (Joëlle Losfeld) set in a cruel world inhabited by strange and gruesome creatures.
Mainard offers her readers a universe that is fragile in its lightness, a world between childhood and emotion, greatly influenced by the writing of Janet Frame. Her residency at the Randell Cottage will enable her to realise her love of Frame’s imaginary world by immersing herself in the late writer’s actual environment.
Mainard received two awards for Leur Histoire (Joëlle Losfeld, 2002) – the Prix du Roman FNAC (2002) and the Prix Alain-Fournier (2003), a novel that was later adapted for film by Alain Corneau – Les Mots Bleus (2005).
Dominique Mainard was born in Paris in 1967, where she returned to live after being raised in the Lyon region and later spending five years in USA.
Renée (1929-) Feminist dramatist and fiction writer Renée was born in Napier, and is of Ngati Kahungunu and Irish-English-Scots ancestry. After leaving school at 12, Renée worked in a woollen mill, printing factory and grocery-dairy store before heading off to study, completing a BA at the University of Auckland in 1979. In 1989 Renée was awarded the Burns Fellowship.
Renée started writing for the stage at the age of 50 and, of her more than 10 plays, one of the most successful works Wednesday to Come to in Wellington in June 2005.
She has been involved with community theatre, the Broadsheet Collective, PEN, radio shows, programme organisation for the Globe Theatre in Dunedin, and with script writing for TV.
Renée teaches at the Whitireia Community Polytechnic graduate creative writing course and is completing her sixth novel. During the residency Renée will work on the first draft of a new play.
Pierre Furlan (1943- ) was born in southwestern France in 1943, he spent his adolescence in California and studied at UC Berkeley. He then settled permanently in Paris. Furlan is the author of five books of fiction and is also well known as a literary translator. It is in fact by translating three contemporary New Zealand writers — first Alan Duff, then Elizabeth Knox and Geoff Cush — that he established the special link that brought him to New Zealand. Pierre Furlan’s writing thrives on the gap between fantasy and reality, questioning the familiarity of our everyday world, as evidenced in his book of stories L’Atelier de Barbe-bleue (Bluebeard’s Workshop, 2002).
Furlan is also interested in the theater. He has written radio plays and was a theater critic for seven years. But he seems to have an even closer tie to the visual arts. Two of his books came out in limited editions illustrated by the Belgian artist Alain Petre, and the figure of the great Swiss painter Louis Soutter looms large in three of his fiction works, especially in the novel La Tentation Américaine (Actes Sud, 1993) and the short story Le Violon de Soutter (Esperluète, 2003).
Michael Harlow (1937- ) was born in the USA of a Greek father and American-Ukrainian mother, travelled extensively in Europe before arriving in New Zealand in 1968. Known primarily for his poetry, which appears in several New Zealand anthologies, he was also in the 1980s an editor of the Caxton Press poetry series and poetry editor of Landfall. Harlow’s sensibility is also identified by a whimsical, questioning persona, and a persistent engagement with the workings of the unconscious.
Harlow first published in New York (Poems, 1965), in Greece (Events, Greece, 1967-1974, 1974) and in England (The Book of Quiet, 1974). Subsequent titles reveal his Eurocentrism: Nothing But Switzerland and Lemonade (1980), the first book of prose poems in New Zealand, Today Is the Piano’s Birthday (1981), Vlaminck’s Tie (1985) and Giotto’s Elephant (1991), shortlisted in the 1992 Book Awards.
Of his time at the Cottage Michael wrote “there is the very considerable benefit that this residency, linked as it is to the French cultural initiative (the ‘French connection’, if I may), adds significantly to raising the consciousness and profile of a national literature to that of an international level. Personally and professionally, I found the partnership with the French both gratifying and helpful.”
Michael went on to say “my own projects: the residency enabled me to almost complete a draft of a new book of poems and short prose texts, Inventing the Real; and in between-times to do some research and preliminary drafting for a further book, commissioned by Electio Press, a special hand-printed, limited edition of translations from the Greek lyric poet Simonides of Keos (5th century B.C.).
Charles Juliet was the second French writer, after Nadine Ribault in 2002, to be awarded the residency. Juliet is a 69 year-old poet and novelist who shares his time between Lyons in central France and the nearby village of Jujurieux where he was born. A great admirer of Katherine Mansfield, Charles Juliet also loves the game of rugby. The French laureate has published over thirty books including collections of poems, short stories, autobiographical novels (Lambeaux, L’Année de l’éveil) and plays.
Charles has a close association with the world of Fine Arts: he has written about the painters Cézanne, Bram van Velde and Giacometti. He has also contributed literary texts to art books (limited editions) in collaboration with contemporary painters. The film adaptation of one of his autobiographical novels, L’année de l’éveil (The year of the awakening) was released in 1990. It is a poignant tale of his initiation into adulthood.
Tim Corballis (1971 -) is a fiction writer whose first novel Below was published in 2001. His fiction has also appeared in Sport, The Picnic Virgin, and Spectacular Babies. He has attended both the University of Auckland and Victoria University of Wellington. It was at Victoria University that Corballis completed Bill Manhire’s Creative Writing Program, (now The International Institute of Modern Letters). At the end of the course, and before the publication of Below Corballis won the Adam Award for his first novel Measurement.
Corballis describes his work in Below and in more recent projects as “a sort of landscape writing which moves beyond issues of national identity and into issues of personal identity.”
His novel Measurement was published in 2002. This work has been described as “a moving meditation on the intricate relationship between life and memory.”
Nadine Ribault (1964 -) was born in Paris and travelled a great deal during her childhood, to Africa, Holland and Scotland. She obtained a BA in French literature at La Sorbonne in Paris, then taught French in the Lorraine region in France. Ribault then went on to spend several years in Japan, teaching French language and French literature. It was during this time where she wrote a great deal and was involved in organizing lithographies exhibitions.
Ribault now lives in the North of France, on Côte d’Opale. Her first book of short stories Un caillou à la mer was published in 1999, and her first novel Festina Lente in 2000.
The next collection of short stories, Coeur Anxieux was written in New Zealand during her time at the Randell Cottage. The collection Un caillou à la mer has been translated in English by Jean Anderson (a Trustee of the Randell Cottage) under the title A pebble in the sea. She has recently published Moments Littéraires, a short story in which she describes her meeting with Janet Frame in Dunedin. Ribault is married and has a daughter.
Peter Wells (1950-) won the New Zealand and Reed awards for fiction with his first short story collection, Dangerous Desires (1991). Wells’ second collection, The Duration of a Kiss was published in 1994 and his first novel, Boy Overboard, in 1997.
One of Them! (1999) is a novella narrated by the same character, Jamie, who narrated the novel Boy Overboard. One of Them! was published to coincide with the screening on TV of the film version in September 1999.
Wells is equally known as a film and television director and scriptwriter, most notably for A Death in the Family (1986), which won a major New York award for its drama about the loss of a friend to AIDS; and for the feature film Desperate Remedies (co-written and directed with Stewart Main, starring Lisa Chappell, Jennifer Ward-Leyland and Cliff Curtis), selected to screen at the 1993 Cannes Film Festival.
Wells was joint winner (with C.K. Stead) of the 1999 Landfall essay competition. With Stephanie Johnson he is co-founder of the Auckland Writers’ Festival. His memoir, Long Loop Home (2001) won the Biography Award in the 2002 Montana New Zealand Book Awards.
His second novel, Iridescence (2003) spans three decades of the Victorian age. Remittance men were sent away from Britain to live in a colony on a small and regular sum – a remittance.
Of his time at the Randell Cottage Wells writes that it was important “because it gave me five months to live without having to think about money. This is always a spell in the life of an author. It was also reassuring. Authors always feel like made up people with a purpose in life which isn’t entirely real, because you don’t go off to work in the morning like other people. A residency makes you feel part of the real world. But it was also important because the cottage is sympathetically placed in a lovely old suburb in Wellington (incidentally Katherine Mansfield live just down the road). The cottage was built about the time I set the book. And it was just down the road from the National Archives, which were an amazing resource for historical research. The book felt blessed by the residency.”
Iridescence was a runner up in the fiction category of the Montana New Zealand Book Awards 2004 and was the project that Wells undertook during his time at the Randell Cottage.